Bio
Morgan Fisher is an American experimental filmmaker and artist best known for his structuralist and minimalist films referencing the material processes of celluloid film and the means and methods of producing moving images, including the camera, the director and crew, and the editing process. Fisher's work has been noted for its relationship to the Southern California landscape and its architecture during a time when the region was staking an aesthetic and intellectual claim in the larger art world. Since the 1990s, Fisher has also been producing paintings and installation works. His work has been included in three Whitney Biennial exhibitions, 1985, 2004 and 2014. He was awarded a Guggenheim Fellowship in 1987
Known For

Messiah of Evil
1974

On the Marriage Broker Joke as Cited by Sigmund Freud in Wit and Its Relation to the Unconscious, or Can the Avant-Garde Artist Be Wholed?
1977

Standard Gauge
1986
Picture and Sound Rushes
1973
Production Footage
1971

Dorothy and Alan at Norma Place
1982

Releasing Human Energies
2012

Remembering Messiah of Evil
2009